Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Here are all the paintings of Moran, Thomas 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
19525 A Pastoral Landscape Moran, Thomas A Pastoral Landscape 1889 Oil on canvas Flint Institute of Arts, Flint, MI.
50976 Blue Spring,lower geyser basin,yellowstone Moran, Thomas Blue Spring,lower geyser basin,yellowstone mk217
19527 Chicago World's Fair Moran, Thomas Chicago World's Fair 1894 Watercolor on paper Brooklyn Museum, New York.
19514 Children of the Mountain Moran, Thomas Children of the Mountain 1866 Oil on canvas Anschutz Collection.
19519 Cliffs of the Rio Virgin, South Utah Moran, Thomas Cliffs of the Rio Virgin, South Utah 1873 Watercolor National Design Museum, New York.
19518 Cliffs, Green River, Wyoming Moran, Thomas Cliffs, Green River, Wyoming 1872 Watercolor on canvas Museum of Fine Arts, Boston.
19522 Gathering Storm near Maravatio, Mexico Moran, Thomas Gathering Storm near Maravatio, Mexico 1883 Oil on panel Private collection.
50972 Glory of the Canyon Moran, Thomas Glory of the Canyon mk217
19520 Green River Cliffs, Wyoming. Moran, Thomas Green River Cliffs, Wyoming. 1881 Oil on canvas Private collection.
19528 June, East Hampton Moran, Thomas June, East Hampton 1895 Oil on canvas Private collection.
50974 Lower Falls of adam cheek Moran, Thomas Lower Falls of adam cheek mk217
50973 Lower falls of the yellowstone Moran, Thomas Lower falls of the yellowstone mk217
19521 Pass at Glencoe, Scotland Moran, Thomas Pass at Glencoe, Scotland 1882 Gilcrease Museum, Tulsa, OK.
19512 Slaves Escaping Through the Swamp Moran, Thomas Slaves Escaping Through the Swamp 1862 Oil on canvas Philbrook Museum of Art, Tulsa, OK.
49325 Slaves Escaping Through the Swamp Moran, Thomas Slaves Escaping Through the Swamp mk195 1863 Oil on canvas 32x43
30889 Sunset Venice Moran, Thomas Sunset Venice mk68 Oil on canvas Newark Newark Museum 1902 Italy
19513 The Autumnal Woods Moran, Thomas The Autumnal Woods 1865 Oil on canvas.
19526 The Grand Canal Moran, Thomas The Grand Canal 1889 Oil on canvas.
19517 The Grand Canyon of the Yellowstone Moran, Thomas The Grand Canyon of the Yellowstone 1872 Oil on canvas.
31978 The Grand Canyon of the Yellowstone Moran, Thomas The Grand Canyon of the Yellowstone mk77 1872 Oil on canvas 84x144 1/4in
19516 Tower Falls Moran, Thomas Tower Falls 1872 Watercolor on canvas Gilcrease Museum, Tulsa, OK.
50975 Untitled lithograph Moran, Thomas Untitled lithograph mk217
19515 Upper Falls, Yellowstone Moran, Thomas Upper Falls, Yellowstone 1871 Watercolor on paper Philbrook Art Center, Tulsa, OK.
19523 Vera Cruz Harbor, Mexico Moran, Thomas Vera Cruz Harbor, Mexico 1884 Oil on canvas.
19524 View of Venice Moran, Thomas View of Venice 1888 water color and gouache over graphite Corcoran Gallery of Art, Washington D.C.

Moran, Thomas
American Hudson River School Painter, 1837-1926 American painter and printmaker of English birth. His brothers Edward (1829-1901), John ( 1831-1902) and Peter (1841-1914) were also active as artists. His family emigrated from England and in 1844 settled in Philadelphia where Moran began his career as an illustrator. He was guided by his brother Edward, an associate of the marine painter James Hamilton, whose successful career afforded an example for Moran. Between the ages of 16 and 19 Moran was apprenticed to the Philadelphia wood-engraving firm Scattergood & Telfer; he then began to paint more seriously in watercolour and expanded his work as an illustrator. In the 1860s he produced lithographs of the landscapes around the Great Lakes. While in London in 1862 (the first of many trips to England), he was introduced to the work of J. M. W. Turner, which remained a vital influence on him throughout his career. Moran owned a set of the Liber studiorum and was particularly impressed by Turner's colour and sublime conception of landscape. With his wife, Mary Nimmo Moran (1842-99), an etcher and landscape painter, he participated in the Etching Revival, scraping fresh and romantic landscapes and reproductive etchings
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